Mathematics 5750-002 and English 5050
Science and Literature
Home Page
Fall semester, 2009

Professor Adler's home page in math
Professor Adler's lab page in biology
Department of Mathematics
University of Utah




Final papers:
Due December 11th at noon in Prof. Adler's Math office (LCB 304) or Math department mailbox.
Make sure to hand in two copies.
Electronic versions will not be accepted!
For the Stewart book, read at least the following (Math majors should not be able to resist reading the whole thing!)
  • Preface
  • Chapters 1 -3
  • Chapters 6-9
  • Chapter 16

  • Updated presentation schedule
  • Course syllabus
  • Course outline

  • Fred Adler's Office hour: Tuesdays from 2:00 - 3:00 in LCB 304 (or by appointment)
    PODCASTS:

    List to the PRI program "To the Best of our Knowledge" from Wisconsin Public Radio for class on October 19:

  • The first three segments of "modern music" from 11/2/2008.
  • The first two segments of "remix culture" from 8/16/2009.
    PAPERS:

    Papers are now due ONE WEEK LATER, on October 26th. They should be about 5 pages in length, but papers are judged by weight, not by volume. Four pages of deep thought is preferrable to 6 pages of fluff.

    To keep people on track, there will still be something due on October 19th. Hand in your first paragraph, complete with a well-established thesis. To do this effectively, you'll need to have a draft of the whole paper. Outstanding paragraphs will get 5 points of extra credit, and poor or non-existent paragraphs will lose 5 points from the total of 100 the paper is worth.

    We want to see your mind seriously and actively engaged with the reading and thinking we've done throughout the course. Be as specific as possible, and limit the scope of the central argument to two or three key passages, drawn from no more than two of the readings. You may also bring in an additional reading or work to compare with one of the books or articles we have read. For example, you could compare painting, poetry or mathematics created at the same time as some music described in the Ross book. If you choose to write about only a single text, resist the dangerous urge to summarize, but find a small number of significant passages for focus. Math people can definitely include as much math as they wish, perhaps comparing a mathematical argument with a literary one.

    The paper should start with a short introduction that situates the paper in relation to the class, and include a clear and explicit thesis. The thesis is not a summary of your conclusions, but a road-map of the journey you are going to lead us on. The body of the paper is that very journey, and the conclusions are not a restatement of where we've been, but something new to think about: the consequences of your insights.

    For a paper of this length, no references are necessary, but if you use other sources, reference them ALL. Avoid the temptation of using secondary sources (other criticism about these works) because we want to see your ideas, not a rehash of the ideas of other people. Other primary sources, like poetry, paintings and mathematics, are of course suitable.

    Any paper with more than two grammatical errors on a page will be returned to be corrected (yup, that includes spelling). Clear writing means clear thought.

    Please feel free to email your ideas, or set up an appointment to talk things over with either of us. Discussing ideas with other students, friends or family is also great as long as the final product is your own.


    Read the following three articles for October 19th. If you have trouble finding the secret_reprints let me know I'll point you in the right direction.
  • Fred Lerdahl, "Two Ways in Which Music Relates"
  • Fred Lerdahl, "The Sounds of Poetry Viewed as Music"
  • Ray Jackendoff and Fred Lerdahl, "The Capacity for Music"

  • For the Dantzig book, read at least the following (Math majors should read the whole thing!)
  • Forward and Preface
  • Chapters 1 and 2
  • Chapter 4 (skip confusing example on pages 72-73)
  • Chapter 5, pages 79-92
  • Chapter 6, pages 103-106
  • Chapter 7, pages 125-133
  • Chapter 10, just the moral on page 213
  • Chapter 12

  • For the Ross book, read at least the following (the musically curious should read the whole thing!)
  • Chapters 1-3
  • Chapter 11, pages 386-404 and 425-434
  • Chapter 13
  • Chapter 4, pages 515-518

  • Preliminary poster
  • Provocative quotations